These works are a poetic detour of what surrounds us. These landscapes, which at first glance contain no harmony, the artist succeeds in making us discover all their lyricism.

Isabelle Girollet takes shots and shapes that transform the subject of the photo. A bridge becomes a lunar landscape, or an automatic door is transformed into a fleeting trickle of light. This photographic abstraction leaves the viewer free to think and dream about what the subject of the photograph might be.

At the time, the artist was following in the footsteps of the poet Émile Verhaeren, who described the hidden treasures of industrial landscapes in "The City": "They are bridges braided in iron; Thrown, by leaps, through the air; They are blocks of columns; Dominated by the faces of gorgons; They are towers on suburbs; They are roofs and gables; In folded flights, on houses; It is the tentacular city; ... Red lights; moving; on poles and tall masts..."

Today, everything is inspiration for Isabelle Girollet. A design object becomes architecture, and the architecture of a building takes the form of a colorful movement.

Isabelle Girollet's photographs are also reminiscent of painting.

Some have described the artist's works as photographic paintings, both in the deep, strong colors and in the movement of the forms. Movement is very often present, notably in the alignment of the different planes formed by the photograph.

As the Bibliothèque Nationale de France has written, "her palette is the world; her brushes, light". Isabelle Girollet's photographic and solar eye invites us to go beyond the limits of the visible and awaken our senses.

His graphic images free themselves from contours and show us new, quasi-musical compositions, translating the vibrancy in a sensory world that resonates so personally in each of us.