The multiple translucent layers superimposed reveal the vibrant depths of her paintings. The singularity of her technique creates landscapes that are allusive enough to allow each viewer to make them their own.

His work focuses on the problem of harmonizing chaos. He explains it this way: "by renouncing line and form, and concentrating on color and matter, both the technique and the result are a kind of dance between chance and its control".

According to Claude Rocher, some of his creations sometimes evoke "leather, the thickness of a skin, an earth or a glacier; almost a geological work, with these icy surfaces, these sections revealing the sides of the subterranean depths, like archives in which our past has been stratified, like so many imprints of the artist's scalpel-like incursions into a poetic, aesthetic or playful search for the intimate and elusive fabric of the universe".